Art lovers Enrique Saiso and Eduardo Sarabia are channeling their creativity into a fresh new venture: brewing a cerveza artesanal aimed exclusively at Guadalajara’s booming craft beer market.
After two years of preparation and experimentation, Cerveza Ventura was introduced to select local bars and restaurants in January. Only available on tap, it is served in English-style pint glasses marked with an iconic white rabbit that looks ready to lead each drinker down the wormhole into a magical world of distinctive, flavorsome ales.
“‘Ventura’ is Spanish for ‘fortune,’ and the rabbit is traditionally associated with good luck,” Saiso explains to the Reporter over a pint of blonde ale at a café-turned-art studio in Guadalajara’s leafy Arcos de Vallarta neighborhood.
“We wanted to have a good product and a good image,” adds Sarabia, the designer of the distinctive logo. The artistic touch is one of many that set Ventura apart from its rivals. Another is the fact that the beer is made for consumption in Guadalajara alone.
“We wanted the city to identify with our beer, for it to be made in Guadalajara, for Guadalajara,” Saiso says. Ironically, neither creator is from Guadalajara (but having lived here for over a decade, both consider themselves adopted Tapatios) and for logistical reasons the beer is currently produced in a factory in Queretaro, although the long-term aim is to open a brewery in Guadalajara.
On face value, Saiso and Sarabia make an unlikely brewing team. For one thing, they have no previous experience making beer – although the latter did once produce 3,000 liters of his own tequila brand, which he sold in the Berlin art scene during a brief stint living in Germany.
Saiso is an art collector and businessman from Mexico City. He moved to Guadalajara 15 years ago to manage the introduction of Jalisco’s transvales (subsidized bus tickets) and is currently handling another contract from the state government to provide free transport for students in accordance with a campaign pledge by Governor Aristoteles Sandoval. He describes this as his “day job” and Ventura as his “passion.”
Sarabia, meanwhile, is an artist who spent the first 24 years of his life in Los Angeles. He produces paintings, sculptures and sketches, and first came to Guadalajara to study at a renowned ceramics workshop. He eventually ended up staying, like so many of the expats in these parts, after falling in love with a Tapatia.
International influences
“The Mexican beers like Corona are not really Mexican anymore, they’ve all been sold to very large multinational businesses, but we thought Mexican beer has always had a good reputation so we wanted to bring it back to its roots,” Saiso says of the concept behind Ventura.
Yet he and Sarabia were also determined to create a beer that stands out from the Pilsner or lager-style beers that Mexican has traditionally produced. They set out to emulate the richer, more complex taste of a classic English ale, while embracing the experimentalism found in contemporary U.S. microbreweries.
“For us the fathers of beer are England and Germany, but an enormous craft beer culture has developed in the United States and this is what we’re really following. There are so many local beers and different styles in the United States,” Saiso explains. “The Germans have very clear rules on how to make beer and you can’t diverge from those parameters, but in the United States they’re moving beyond those limits and experimenting more.”
Ventura is still at a very young stage but the results so far have been excellent. Their first beer is a delicious blonde ale with a light but distinctive malty taste. They have also just started selling a batch of Porter, which is much darker in color but still light in weight, that can be found in Guadalajara’s highly rated I Latina and Anita Li restaurants, and will soon become more widely available.
The plan is to bring out more varieties and seasonal beers as Ventura begins to grow. But growth is not easy to achieve in Mexico’s duopolized beer market. Neither Saiso nor Sarabia are convinced that a recent ruling limiting the use of the exclusivity agreements long favored by Grupo Modelo and Cuauhtemoc-Moctezuma will really help microbreweries to gain a level playing field when it comes to distribution.
“In theory,” bars, stores and restaurants should be freer to stock beers of all different brands, Sarabia acknowledges, but he remains skeptical that Mexico’s beer giants will allow this, simply because “there’s so much money involved.”
“The ruling was really very limited,” Saiso adds. “We’ve realized that they’re still blocking the market. The restaurants are still afraid that they’re not going to give them money if they started selling other beer brands.
“The most important thing in brewing is the prime materials and these are still being blocked. There are only two malt producers in Mexico and they’re owned by the big companies and in January they decided not to sell malt to small breweries,” Saiso explains. “So we have to import all the malt and that’s where the problem is. That’s why craft beers are more expensive in Mexico. We can’t compete with Tecate or Corona because we have to buy American malt. And there are limits to how much you can import. If you exceed the limit you have to pay higher taxes, so it’s all very complicated for us.”
Complementing cuisine
Despite Modelo and Cuauhtemoc’s best efforts to keep the market closed, Mexico’s bigger cities have experienced a major craft beer boom in recent years. Microbreweries have begun popping up all over the place, all vying to quench the thirst of an emergent middle class willing to spend a few pesos more to enjoy a tastier, more refined cerveza.
This has spurred the emergence of many specialist bars, such as El Deposito, The Beer Box, The Tap Room and Guadalajara’s latest such establishment, the Beer Bank, which stock hundreds of premium international beers as well as those offered by Mexico’s many microbreweries.
But in a bid to differentiate Ventura from the competition, Saiso and Sarabia have opted to target Guadalajara’s finer eateries rather than its bars.
“Craft beer has normally been sold in Guadalajara in these bars around Avenida Chapultepec, but we’re focused more on restaurants. We want our beer to be identified with fine food, not just getting drunk. It’s a good drink designed to accompany good food,” Saiso explains. He and Sarabia kept this in mind when brewing Ventura’s blonde ale, which has a light, fresh taste that perfectly complements the spicy, elaborate flavors inherent in the national cuisine.
“We sell it in a dozen restaurants across Guadalajara. We even provided the beer pumps because the restaurants here do not have the equipment to serve beer from the barrel,” Saiso says. He and Sarabia are selective and only seek to sell their product in quality establishments, he adds, because “the restaurant has to really know about beer and be able to recommend it to their customers.”
Ventura can be found in Anita Li (Inglaterra 3100), California Wings and Beer (Manuel Acuña 3184), the Cerveceria Union (Americas 1491), Casa Tomas (Calderon de la Barca 95), La Estancia Gaucha (Niños Heroes 2860A), the Guadalajara Country Club (Mar Caribe 260), I Latina (Inglaterra 3128), La Panga del Impostor (La Paz 1927A), Rooster Bar (Juan Palomar y Arias 5487), The Rusty Trombone (Lerdo de Tejada 2166) and Savora (Lopez Cotilla 1866 and Libertad 1872).
City artists open studios to one and all
While craft beer is their latest flame, Enrique Saiso and Eduardo Sarabia have not forgotten their love for art and the latter is responsible for the Programa Anual de Open Studios (PAOS), which began Saturday, November 2. PAOS involves around a dozen local artists opening their studios to the public in order to engage with the local community and provide an insight into how they produce their work.
“It’s a means of promoting art in the city and enabling the artists to have a connection with the public, who can chat with them and look at their work,” says Sarabia, the founder and director of PAOS.
“There are so many great artists here,” he adds, imploring readers to take part in the program, which continues Saturday, November 9, with four promising young artists opening their studios in the morning and three more established names following suite in the afternoon.
First up are the studios of Adrian S. Bara (Colonias 467, Colonia Americana), Mario Navarro (España 2049, Colonia Moderna) and Maria Fernanda Camarena and Guillermo Guarino (Pedro Moreno 1320, Colonia Americana), which will be open from 11 a.m. until 2 p.m., and then those of Gonazalo Lebrija (Fermin Riestra 122, Colonia Santa Fe), Roberto Rebora and Jorge Mendez Blake (Avenida B 620-A, Colonia Seattle) will be open from 5-8 p.m.
For a free beer sample, coincide your visit with the Ruta Ventura, which takes in Bara’s studio from 11-11:40 a.m., Navarro’s from midday to 12:40 p.m., Camarena and Guarino’s from 1-1:40 p.m., Lebrija’s from 5-5:40 p.m. and Rebora and Mendez’s from 6:10-7:40 p.m.
For more information visit www.openstudiosguadalajara.org. or www.facebook.com/CervezaVentura.