Three rooms in semi-darkness, studded with starkly illuminated mostly black-and-white geometric constructions, frames with stark pictures of rooms and doors, a video screen or two with a bench for the audience, curtains that visitors must pass through.
This is what makes up the immersive and almost inscrutable “fun house” construction of Fabiola Torres-Alzaga, “El Encuadre Indiscreto,” (The Indiscrete Framing) showing at Instituto Cultural Cabañas in Guadalajara for only a few more days (until August 25).
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By Elaine Halleck