Being cut adrift on a raft in 1816 has parallels to today
Guadalajara’s May Cultural festival came to an dramtic conclusion with two performances by Quebec contemporary dance company Alan Lake Factorie of “Le cri des méduses” (The Raft of the Medusas), a work blending dance, theater, cinema and music based on a disturbing 1819 painting by Théodore Géricault of France.
 
				
				