Eleno Diaz was boldly, if shakily, perched at the peak of my teja-and-carrizo roof, and in a satirical voice reviewing the local chismes from his pueblo. (Non-Spanish speakers: chisme means gossip.
But today when Mexicans greet one another with an early “Buenos dias,” asking, “Hay chismes hoy?”, it’s assumed they’re inquiring if there is news about some outage straight from a police blotter of earlier times — deaths occasioned by breaking and entering, robberies, kidnappings, and the night’s unadorned mindless killings, etc.) However, “Leno” was speaking with rural cynicism of purely political behavior, often so outrageous as to appear clownish — and maybe dangerous — to campesinos.