It was the second half of the 1800s.
The Mexican fine arts were breaking out of their religious, European baroque and neoclassical molds and photography was coming into its own, when a sophisticated artistic figure, Brazilian-born Félix Bernardelli, made a lasting impression on Guadalajara by working here (as well as in Paris, Rome and New York) and developing a loyal following among local, soon-to-be-influential young artists.
Instituto Cultural Cabañas puts Bernardelli’s 16-year stay here on the map with a new show displaying not only his paintings and drawings — and those of his anti-establishment discípulos (disciples or students), as the curators call them — but also his memorabilia, which include numerous photos (some of them large reproductions), diplomas, sketchbooks and diaries.
The show fills one long salon with dozens of small and medium-size pieces and is drawing an enthusiastic reception from Guadalajara art lovers who appreciate Bernardelli’s influence here. Outstanding are large reproductions of portrait-like or journalistic style photos taken by members of the artist’s circle reflecting the then-nascent influence of photography, as well as nudes and landscapes that indicate the impact of Impressionism.
A photo of the young men in suits who populated Bernardelli’s classes, one of the artist himself at work on the shores of Lake Chapala, a small landscape of Zapopan when it was totally undeveloped, as well as urban landscapes of Paris and New York, add historical interest to an exhibit already replete with it.
“Félix Bernardelli – Maestro de Vanguardia del Siglo XIX” shows until June 24. Instituto Cultural Cabañas, Plaza Tapatía, Guadalajara. Open Tuesday to Sunday, 10 a.m. to 6 p.m. Entrance costs 70 pesos; free on Tuesdays. Information: (33) 3818-2800 ext. 31642.